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Any Sound You Can Imagine: Making Music/Consuming Technology (Music/Culture) by Paul Theberge

Any Sound You Can Imagine: Making Music/Consuming Technology (Music/Culture) Paul Theberge ebook
Format: chm
Publisher: Wesleyan
Page: 303
ISBN: 0819563099, 9780819563095

So, unfortunately, there's no more time for (indicates piano) distractions. Can you imagine telling a painter, “I want you to paint my house, I won't pay you anything but people will see your work and hire you (to paint their houses for free). What if we abandoned possession culture? It's too often taken for granted that, at their inception, music technologies expanded accessibility to music-making, and made untold ingress possible. And it's my job to keep you on your path. Aside from new technologies, we also face issues related to intellectual property and how we should view the recording industry. Nearly 20 years later, with U2 firmly entrenched in its rock-stars-making-serious-music groove, it's difficult to imagine that the Irish band once had such a playful approach to stadium-sized rigmarole. The people you want to talk to would be that we live in a dangerous culture of possession and consumption in the modern world – but to posit an idea that an entire society can function without electronics and all the fixings of modern technology is a little naive, in my opinion. Afterward, nearly every electronic music-making box that was used in a studio - in ever-more prevalent home studios, in schools and universities and other institutions of sound reproduction - was MIDI-compatible. What would the world look like? €�It seems that the majority of the music The researchers admit that there could be external factors influencing these effects, but conclude that the results provide no evidence that piracy is hurting digital music sales in Europe. But during the '90s, when U2 .. "My analogue sequencer makes unique sounds you can't get from digital sequencers," says Pinch. Many artists Musicians are increasingly asking, “Isn't it better to give our recordings away for the sake of promotion since we mostly make our living from live performances?” . I highlight the ways in which the proliferation of temporally-bound mediums, user-generated content, and the Internet has effected the ways in which we consume cultural artifacts, and the power structures that exist when we choose to use, consume, . Daniel: But I want to keep playing the piano. The results are now published in a paper titled “Digital Music Consumption on the Internet: Evidence from Clickstream Data,” and the researchers found that overall, piracy has a positive effect on music sales. What if doing and being became more important than having? What if we abandoned capitalism. People can be too young to realize the impact something had at the time it was released, but not to evaluate the quality of the music, and unless you're a historian or sociologist that's the important part.